"Oh no, we haven't quarreled a bit!" Then with a smile: "We've only diverged." "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.!

"I haven't the least idea," said the girl. "Why, letting me tell her a dozen things she can have."

"I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough." "Everything?" Fleda gasped. "No," Mrs. Gereth replied, "but because they belong to the house and the house belongs to Owen. If I should wish to take anything, she would simply say, with that motionless mask: 'It goes with the house.' And day after day, in the face of every argument, of every consideration of generosity, she would repeat, without winking, in that voice like the squeeze of a doll's stomach: 'It goes with the house—it goes with the house.' In that attitude they'll shut themselves up."